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	<title>Phillip Prodger</title>
	<link>https://prodger.org</link>
	<description>Phillip Prodger</description>
	<pubDate>Mon, 15 Jan 2024 18:20:38 +0000</pubDate>
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		<title>Header</title>
				
		<link>https://prodger.org/Header</link>

		<pubDate>Thu, 21 Oct 2021 14:30:45 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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	Phillip Prodger
	Curator • Author • Art Historian
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		<title>Intro</title>
				
		<link>https://prodger.org/Intro</link>

		<pubDate>Thu, 21 Oct 2021 14:30:45 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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		<title>In Between</title>
				
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		<pubDate>Thu, 21 Oct 2021 14:30:46 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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	Former head of photographs at the National Portrait Gallery, London, and a former curator of prints, drawings and photographs at the St. Louis Art Museum, Phillip Prodger is Executive Director of Curatorial Exhibitions in Pasadena, California.
	News• Coming Soon! Mark Cohen Trespass 
• New book: Toshio Shibata: Japan&#38;nbsp;
• An Alternative History of Photography&#38;nbsp;
• Face Time, A History of the Photographic Portrait 
• Announcing the Solander Collection

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		<title>Shibata Alt History</title>
				
		<link>https://prodger.org/Shibata-Alt-History</link>

		<pubDate>Mon, 15 Jan 2024 18:06:33 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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	‘The best writer on photography working today’&#38;nbsp;–Frames magazine
	

&#60;img width="1012" height="1266" width_o="1012" height_o="1266" data-src="https://freight.cargo.site/t/original/i/dbe4b59458e1ffe1a36502a489304d7339cf7498df2df5b51b7c682232437402/715O8TodM-L-1._SL1266_.jpg" data-mid="228548034" border="0"  src="https://freight.cargo.site/w/1000/i/dbe4b59458e1ffe1a36502a489304d7339cf7498df2df5b51b7c682232437402/715O8TodM-L-1._SL1266_.jpg" /&#62;
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		<title>Alternative History Installation</title>
				
		<link>https://prodger.org/Alternative-History-Installation</link>

		<pubDate>Mon, 15 Jan 2024 18:20:38 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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&#60;img width="2230" height="1673" width_o="2230" height_o="1673" data-src="https://freight.cargo.site/t/original/i/8c21f6532a6f8f43600d04f1fa8b0c88b3491c556a9923c7969df809f147adbf/Photographers-Gallery-Alt-History.jpg" data-mid="201804746" border="0" data-scale="71.22631528181647" src="https://freight.cargo.site/w/1000/i/8c21f6532a6f8f43600d04f1fa8b0c88b3491c556a9923c7969df809f147adbf/Photographers-Gallery-Alt-History.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;An Alternative History of Photography</description>
		
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		<title>Face Time Eggleston Parr</title>
				
		<link>https://prodger.org/Face-Time-Eggleston-Parr</link>

		<pubDate>Thu, 21 Oct 2021 14:30:46 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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	‘I could spend a week in it, happily, or a year. If I could give it six stars, I would...’&#38;nbsp;–Time Out, on Eggleston Portraits exhibition&#38;nbsp;
	

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		<title>Belin installation</title>
				
		<link>https://prodger.org/Belin-installation</link>

		<pubDate>Thu, 21 Oct 2021 17:24:09 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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&#60;img width="1050" height="700" width_o="1050" height_o="700" data-src="https://freight.cargo.site/t/original/i/2e39771d1d22881789d26ad5dac5029209d298e42efb17a22388419f438d1575/Belin-instal.jpg" data-mid="122256985" border="0" alt="Val&#38;eacute;rie B&#38;eacute;lin: Made Up" data-caption="Valérie Bélin: Made Up" src="https://freight.cargo.site/w/1000/i/2e39771d1d22881789d26ad5dac5029209d298e42efb17a22388419f438d1575/Belin-instal.jpg" /&#62;
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		<title>Darwins Camera Victorian Giants Time Stands Still</title>
				
		<link>https://prodger.org/Darwins-Camera-Victorian-Giants-Time-Stands-Still</link>

		<pubDate>Thu, 21 Oct 2021 14:30:46 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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	‘Once again Phillip Prodger has explored photography’s childhood and found there a network of hitherto unexamined meanings and connections that enrich our knowledge not only of the medium, but of science, technology, and culture at large. Fascinating, lucid, and beautifully researched, this book is a major contribution to the history of photography’–Rebecca Solnit, on Darwin’s Camera


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		<title>Mueller installation</title>
				
		<link>https://prodger.org/Mueller-installation</link>

		<pubDate>Thu, 21 Oct 2021 18:36:28 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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		<description>
&#60;img width="1050" height="572" width_o="1050" height_o="572" data-src="https://freight.cargo.site/t/original/i/bb6105b06fcbb3a6c53da031cbd7188d3f6998adaced9c31c24a3a8716a4ac1f/20110018_014.jpg" data-mid="122265247" border="0" alt="Marianne Mueller: Any House is a Home" data-caption="Marianne Mueller: Any House is a Home" src="https://freight.cargo.site/w/1000/i/bb6105b06fcbb3a6c53da031cbd7188d3f6998adaced9c31c24a3a8716a4ac1f/20110018_014.jpg" /&#62;
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		<title>MRLM German Work Outerbridge</title>
				
		<link>https://prodger.org/MRLM-German-Work-Outerbridge</link>

		<pubDate>Thu, 21 Oct 2021 14:30:46 +0000</pubDate>

		<dc:creator>Phillip Prodger</dc:creator>

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		<description>
	‘Finalist (top three) - best visual art project of the year‘
Martin Parr: Only Human • Southbank Sky Arts Award‘One of the ten best exhibitions of the year’ Eggleston Portraits • London Times, Guardian, Telegraph, Evening Standard, Time Out‘The best exhibition of the year worldwide’ 
Eggleston Portraits • Creative Review‘Holiday list - one of the best art and architecture books of the year’
 Eggleston Portraits; Darwin’s Camera • New York Times
‘One of the best exhibitions of the year’Time Stands Still • San Francisco ChronicleMan Ray &#124; Lee Miller: Partners in Surrealism • Boston Globe‘One of the best art books of the year’Harold Feinstein – A Retrospective • Photo District NewsEggleston Portraits • Christian Science Monitor; American PhotoTime Stands Still • SF Weekly

	
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